Showing posts with label The Avengers. Show all posts
Showing posts with label The Avengers. Show all posts

Thursday, 17 May 2012

FILM 2012: Avengers Assemble

I apologise monolithically for the tragic delay of this review. For circumstances beyond my control - such as organisational clashes, and my stinginess at only wanting to go on an Orange Wednesday, and what of it? I have stuff to pay for! -I had been unable to watch the Marvellous Avengers Assemble (Joss Whedon) until last night. I set out with this blog not wanting to make any review of a film in which the majority of civilisation had seen before me, however I felt like, having mentioned Avengers on my film 2012 hot list, I should probably give it a mensh, and this, by the way, it deserves.

Yes, I heard the excellent press for Avengers Assemble, but I had no idea how fully the blockbuster would live up to this. Firstly, the concept of a multiple superhero mash-up was clearly going to be a winner. The film is, as you would expect, an explosion of some of the sweetest action scenes committed to CGI. From Thor whooping some ass with his volatile hammer, committing the ultimate man affirming move by head-butting the Iron Man, to Robert Downey Junior's 'I'm going to restart an aeroplane engine by pushing the fan to lightspeed'; and even Captain America impresses with his trusty infallible shield.





The film doesn't take itself too seriously. I laughed out loud at many instances, including when the Hulk and Thor take down some gigantic robotic worm (you've seen the trailer, they're called a Lethiathan), and out of the blue the Hulk punches Thor. The Hulk beating the beans out of the "you can't treat me this way, you dull creature, I am a God!" fellow. The Hulk in general was a pleasant surprise. I have to admit, and I think a lot of people shared my sentiment, that when I initially saw the advertisement for the Avengers I thought to myself, well the Hulk's the Meg Griffin of this group; he's big and green and angry, who cares? But he ironically became my favourite Avenger in the film, not just from the comic relief of his obvious anger management issues, but because he does live up to the others in terms of fighting capability.







With this mash-up narrative, it was inevitable that there was going to be a lot of comparing... foot size amongst the superheroes. They draw attention to what we all were thinking, with Iron Man ripping it out of Thor's just-stepped-out-of-a-Shakespeare-play manner of speaking, someone commenting that Iron Man is just a costume, Iron Man dissing Captain America's lack of apparent function in the group. Tony Stark generally being a lovable arse.






I also liked the way, unlike with most superhero movies, there wasn't necessarily a black and white, good and evil side. Yes, of course the Avengers are the goodies, and irritatingly persevering Loki and the alien invaders are the bad guys. But, perhaps like Nolan's The Dark Knight, human authority isn't necessarily presented as the Good Guy. The theme of American arms aggression within the higher ranks of the administration, I felt was very brave from a Hollywood Blockbuster to address; the Nuke-Happy leaders are shown to be at least a catalyst for world war here, and this questions the notion implied by other film where Good = America and Evil = Everyone Else.







Hats off to Joss Whedon, the writer-director responsible for Buffy the Vampire Slayer and the screenplay of Toy Story. It just shows that you don't have to be a big screen Michael Bay to make something entertaining but also sharp, fresh and witty. The new ideas, the unpredictability of the narrative and the slick writing are what keeps us on our toes in Avengers , an audience which has been zombified by other predictable Hollywood money-machines. Overall the story was conducted smoothly and wrapped up very satisfyingly at the end, really polished.








I genuinely would pay to watch it again in the cinema. In 3D. And I would recommend you do so too. A slap in the face to conventional action film, Avengers Assemble is a heroic call to step the hell up. Whedon coming atcha.

Tuesday, 13 March 2012

Film 2012

'The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars'

Jack Kerouac



My reason for using this quote is that I have just found out that Kerouac's quintessential modern American novel On The Road has been made into a film of the same name. Set for release this September, it stars Garret Hedlund (aka Achilles' nephew from Troy who imitates him and subsequently meets a sticky end) and Kristen Stewart. I sincerely hope they do it justice.

This got me thinking about other blockbusters set to release in 2012, which, perhaps persuaded by the questionable apocalyptic omen associated with the date, are cropping up in abundance.



#1. Of course, is The Hobbit: An Unexpected Journey. Released in the UK on 14th December (cutting it fine for the end of the world, right?) this is the film the Lord of the Rings generation has anticipated since the - numerous, might I add - closing sequences of The Return of the King. I feel reassured by Peter Jackson's proven directorial prowess, from previous films in the epic Tolkein world as well as King Kong (2005), that he will handle the tale of young Bilbo Baggins in an equally respectful fashion.




#2. The Great Gatsby. Again, a book adaptation, this will be out on the 25th December and boasts a ridiculous cast: Leonardo Dicaprio as Gatsby, Carey Mulligan as Daisy (Perfect casting if you've read the book), and Tobey Maguire as Nick Carraway. But what got me most enthralled in this film, besides the promises of decadent 1920s wardrobes, was the fact that Baz Luhrman, the genius behind Romeo + Juliet (1996) and Moulin Rouge (2001), is directing it. Without a doubt this means that Luhrman's hallmark claustrophobic, kaleidoscopic trippy scenes from both films mentioned will be utilised perhaps to express the disorrientation and shallowness of Gatsby's parties.



















#3. And third, closely matched are the Sci-Fi/Marvel-esque blockbusters of the spring/summer: The Amazing Spiderman (4th July); Men in Black III (SCREAM - 25th May); The Dark Knight Rises (20th July) and The Avengers/Avengers Assemble  (27th April). Okay, so The Amazing Spiderman  is clearly a re-vamp of the Spider Man comic book hero. What I feel will make this so much better than the 2002 franchise starring an uncharismatic Tobey Maguire is that British actor Andrew Garfield will be stepping up to the Peter Parker role. Most known perhaps for his part in The Social Network (Fincher, 2010) as FB co-founder Eduardo Saverin, I recommend checking him out as he has proved his talent in originally the three part eighties-based cop series Red Riding and also worked with indie director Spike Jonze in the short 'I'm here'.

Men in Black III needs no explanation as to its buzz, and additionally stars Josh Brolin (True Grit, No Country for Old Men) which will enhance the already exceptional cast of Will Smith and Tommy Lee. The Dark Knight Rises is the last installment in this Batman/Nolan collaboration; I'm sure many will miss the chiaroscuric and often Film Noir twist which Christopher Nolan and his team have applied, in contrast to the otherwise camp interpretations (take Batman the Movie, 1966)of the hero. Finally The Avengers mash up of a Norse God, Giant Green Man, Guy in Indestructable Metal Armour, and Patriotic Guy - I'm sorry, I haven't seen Captain America - is a match made in Hollywood heaven, and will be inevitably epic.



With all these films out this year (and many more I haven't included - Skyfall for one) I can't imagine how my bank account will survive. I suppose we'd better splurge before The End Of The World...